About

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Artist Statement

I am a multimedia artist whose practice moves across film, photography, installation, and interdisciplinary forms. At the heart of my work are questions of identity, transformation, marginalization, liberation, and ecological consciousness. Each project is an attempt to create spaces where the personal and the political intersect, where memory becomes a living force and imagination becomes a tool of resistance.
Rooted in Myanmar and shaped by the communities around me, my practice reimagines memory as both wound and resource—an archive of resilience carried through generations. I seek to work with what is fragile and overlooked, bringing attention to stories of marginalization while also creating openings for liberation.
In Inlay Lake, I founded Slow Space Studio, a small experimental space where art, living, and ecology meet. Its “100 Feet Living Space” project reflects on limitation, sustainability, and intentional living—asking how we might inhabit space, nature, and community differently. Through this work, I explore how ecological consciousness can be lived as much as it is created, transforming daily life into artistic practice.
Nature is not only a subject in my work, but a collaborator and guide. By integrating natural materials, ancestral knowledge, and collective memory, I search for pathways toward healing and liberation. My art is a practice of reimagining: reimagining how we remember, how we resist, and how we might live differently together.
Ultimately, I see my practice as an offering—an ongoing dialogue between self and collective, between history and transformation, between the world as it is and the world as it could be.